Showing posts with label The Wolfmen. Show all posts
Showing posts with label The Wolfmen. Show all posts

Tuesday, 15 January 2008

The Best of 2007 (Part 2)

The second part of my favourite CDs from 2007.

Mark Ronson - Version (released April 2007)

Possibly a surprise inclusion for some of those who know me. The complete flipside of an album such as The Good, The Bad and The Queen. Damon Albarn's release really made you work for the rewards, but this album was an instant payout.

Despite my dislike for lazy, insipid covers (and with millions of songs to chose from, how come these reality TV show winners always release CDs with the same tracks on??!!), I'm a big fan of the cover version. My criteria for a good one is simple (yet rarely carried out!!):

- It shouldn't be an exact copy of the original. If it is, why bother covering it??

- It shouldn't be SO different, that you don't recognise the song any more

- The artist should (if they are of the right quality) be able to stamp their authority on it, and without changing it completely, make it sound like their own song.

As predominantly a covers album, this CD has a couple of interesting, quirky slants - the main one being that a few of the covers are sung by the original artists! Not every track is a winner, but the good far outweigh the bad.

The album kicks off with an instrumental version of Coldplays 'God Put a Smile Upon Your Face' - which despite being instantly recognisable, you'd swear came directly from one of those funky Studio 2 recordings from the 60's and 70's. The biggest surprise proved to me that 2 wrongs can indeed make a right, as an artist I'm not keen on sings a song I don't like to produce an absolute stormer! Yup, Mark's collaboration with Amy Winehouse convinced me that the Zutons' Valerie should have been a Motown hit of the 60's! Lilly Allen is also on hand to help cover The Kaiser Chiefs Oh My God, which she does in her tried and tested 'chav serving you in McDonalds' voice ("it dow matta ta me-eee"). Its not a bad cover by any means, but it's a shame it wasn't the far superier version Mark performed on The Jonathan Ross Show over Christmas, where Chief, erm, Kaiser Chief and Candie Payne shared the vocals. Maximo Park and Kasabian both contribute new vocals to Ronson re-workings of their own tracks. Worst track by far is Robbie Williams attempting to do The Charlatans, The Only One I Know. His voice isn't up to it and he just comes across like a Tim Burgess sound-a-likey on Stars in their Eyes.

It’s a real mish-mash of an album, with something for pretty much everyone included… everyone that is except possibly Morrissey fans! I love the fact that he dared to cover The Smiths on it (an odd mix of The Smiths' Stop Me If You Think You've Heard This One Before and The Supremes' You Just Keep Me Hanging On with vocals by Daniel Merriweather), which prompted some upset die-hard Smiths fans to actually send him death threats (one particularly jovial fan told him 'I want to stab you in the eye.'… nice!). Of course by being so ridiculous, this minority of idiotic fans are simply helping to confirming that stereotypical image that all Smiths fan have had to suffer with for years. Anyway, I know of at least one Morrissey fan who thought the cover was fab! (she is currently in hiding alongside Osama Bin-Laden!!).

If you missed the performance on Jonathan Ross, you can check it out right here!




The Wolfmen - 5 Track Promo\Sampler
Although not strictly an official release from 2007, this 5 track sampler gave me a lot of pleasure at the back end of last year. See my review of the CD here for full details.

Marc Almond - Stardom Road (released June 2007)
What can I say about Marc Almond? He's been at the very centre of my love of music for over 25 years, and still he keeps coming up with the goods. Marc has always been a prolific writer, but a near-fatal motorbike accident in 2004 left him with brain injuries that rendered him unable to compose (something I'm pleased to say is now starting to ease).

So, after dozens of operations and 3 years of intensive rehabilitation (and with the 'imposed' writers block in mind), 2007 seemed the ideal time for him to release an album of cover versions. I must admit that I was a little concerned when this project was first announced - recent lazy, lacklustre cover albums from the likes of Rod Steward, Michael Bolton, Russell Watson, X-Factor contestants etc have left a nasty taste in the mouth. But I needn't have worried, Marc is much more than cheap rip-offs of over used tracks. What we actually got were personal, re-interpretations of mostly little known classics that have influenced Marc over the last 50 years (in fact, the majority of the songs included are so obscure that the casual listener would be forgiven for assuming it was mostly new self-penned material).

From a 'twin peaks-esque' Dream Lover to a simply beautiful version of Third World War's Stardom Road, Marc takes these songs and makes them his own. Although a 50 piece orchestra was used for the album, the production is beautifully understated, creating the perfect atmopshere for Marcs 'off-centre' take on these songs. Marc has made a career out of 'doom and gloom' songs where every silver lining has a cloud, but this album is truly uplifting and inspiring (it's amazing what nearly dying can do to you!). There is not a bad track on here, but the stand out one for me (and probably my favourite song from the whole of 2007) was his version of Charles Aznavour's I Have Lived. Oddly, I actually have the original of this song in my vinyl collection, but it had never struck a chord with me before (although I doubt the lyrics would have hit me so much back in my 20's as they do now in my 40's!). Hats off to Mr Az, these lyrics are so touching and thought provoking - In fact I now know this is the song I want played at my funeral! I was like a teenager with this record, playing it over and over continually, and have still yet to tire of it.

2007 also marked the 1st live shows for Marc since the accident, and this album formed the centrepiece of these dazzling concerts.

So that's my top 6 Cds that were released in 2007. However the vast majority of CDs I purchased last year were 'back catalogue', and I don't think I can finish without mentioning at least a couple that really hit the spot.

2007 was officially the year of the Marc's (Almond and Bolan), and there was a big 'Bolan buzz' at Piley Towers throughout much of the year. Most of my Bolan collection has always been on Vinyl, but thanks mostly to Amazon 'new and used', I've now finally rectified that! I love almost all of Marc's albums, but the recent Edsel re-releases of the later albums, with a full extra cd of alternative takes and rarities was just too tempting. However it was Slider that I really fell in love with all over again, and it became the soundtrack to my summer. It's definitely Bolan's best work, and one of the greatest pop\rock album ever. Every track is so darn perfect, and it can happily be left on 'repeat' for days without annoying you!

I'd always liked what I'd heard of Barry Ryan (Eloise is the obvious track), but had never really investigated his work seriously. In 2007 I spotted that his 1st 2 albums (Barry Ryan Singing The Songs Of Paul Ryan - 1968 and Barry Ryan - 1969) had been re-issued on one disc so thought I'd give it a go - to be honest I expected to give it a couple of plays, be a bit non-plussed and then file it (never to be played again!). But what I got was quite simply a revelation! Ryan has gotten a raw deal over the years.. Whilst similar acts such as Scott Walker have been elevated to legendary status (and rightly so), Barry has remained languishing in the 'cheesey 60's pop' category (possibly due to his earlier 'pop' career as a duo with his brother Paul). But some of the material included on these two albums is right up there with the best of those 60's torch singers. I couldn't believe the quality of this disc, it's all very orchestrated, and OTT, but no more so that Scott Walker.

It's a long CD (24 tracks), but as soon as it finished I had to keep re-playing it, and if I went out I took it with me to play in the car. I think it kept me going for the best part of a month! One of the best ten pounds I've ever spent! This album lead to a spending frenzy, as I picked up a number of other Ryan CDs - alas, everything else available are just various compilations, and his other 'proper' albums all remain unreleased on CD.

Here is Barry Ryan with the wonderfully OTT Kitch








Piley

Monday, 17 December 2007

The Wolfmen Cometh

They say you have to kiss a lot of frogs to find a prince, and it's never been truer with music. Dreaded words from casual acquaintances like “Oh, my son\dad\brother\nan etc etc (delete where appropriate!) is in a band, I'll bring you in a CD” or “ I'll lend you the latest Sting album if you want” fill me with dread (usually for good reason). But when it goes right it makes it all worthwhile. I have some trusted friends who when they say “ you've got to listen to this…”, I sit up and take note. And that is exactly how I came across The Wolfmen. A mate popped round a couple of weeks back, and before the door had even closed, he was eagerly thrusting a CD into my hand… and it's pretty much remained in the CD player ever since (and I am dreading him asking for it back!). This was one of those rare finds, when the deal is sealed on the very first play and you instantly know it’s for you.

The Wolfmen contain some much loved musicians from my past, namely Marco Pirroni (chief ‘Ant’ and also Adam's right hand man during his solo career) on guitars and Chris Constantinou (also part of Adam Ants' solo set-up) on vocals and bass. Another former Ant - Chris Hughes (a.k.a 'Merrick'), has also been contributing to some of their material.

The quality of the material on this five track promotional CD I have here is so good, it could easily pass as a mini album, and I am stunned at the variety of sounds and styles crammed into this 16 minute disc. If The Wolfmen are happy to throw away tracks like these as mere samplers, I can't wait to hear the material they are saving for the debut album!

First up is Jackie Says. Of the five tracks on show here, this one comes closest to an Adam Ant solo sound (circa Viva Le Rock/Apollo 9). An upbeat rocker that is so damn catchy, it was engraved on my brain after the first play.

Next we see The Wolfmen take the Brian Eno track Needle in the Camels Eye and claim it as their own. There are nods to Roxy Music and a driving 'I’m Waiting for the Man' style riff underpinning it throughout. Add to this the unmistakable sound of Marco’s guitar providing a mesmerising solo midway through, and you have the classic cover version: respectful, fresh and bang up-to-date.

Track three is recent single, Cecile. It is an atmospheric little number, and Chris’s vocals evoke memories of a 1980's Iggy Pop, as he croons darkly. There is a genuine edgy feel to the song, which just when you think has reached its peak -- takes a surprising (and brilliant!) detour with a haunting flute solo. It's half Jethro Tull, half intro to 'Down Under' by Men at Work! but it works beautifully. Not enough flute in rock 'n' roll these days! There is a catchy little riff throughout this song, and everytime I hear it, it reminds me of Submission by the Pistols!

Track four is a stormer of the highest order. Love is a Dog is The Wolfmen doing T-Rex for the new millennium… 21st Century Boys if you will. A stomping Glam riff and even Bolan-esque vocals from Chris, make this the standout track for me, and a real contender for my top five songs of the year. Crank the PC volume up as high as it'll go and enjoy it for yourself.



The disc finishes with While London Sleeps. The vocals are firmly back in the Iggy Pop territory for this track, which has the most beautiful 'melt in the brain' melody that I defy you not to fall in love with the moment it touches your ears! Try it for yourself now!



This CD has left me buzzing for more and desperate to see them live (oh, and scouring eBay trying to track down a copy before my mate asks for it back!) - The guys played their inaugural gig last month (15th November) at the Islington Academy, and by all accounts it was an amazing night. Word is the next show will be in February 2008.

This episode sums up why music plays such a big part of my life -- fuck drugs and alcohol, ain’t nothing else around that can give me a high like the one I've been on since discovering this little gem.

I'd struggle to find someone who I wouldn't recommend this too. 60's\70's punk fans, 70's glam, 80's\90's Ant fans will all love it, but I genuinely think fans of today's indie scene will get it too. Just to prove their wide appeal, another recent release (October 2007), ‘Two Eyes’ was a collaboration with bhangra star Daler Mehndi – is there nothing they can’t turn their hand to?!

My thanks to Marco and Chris for allowing me to host two tracks here, for you to try out for yourselves.

The Wolfmen are currently working on their debut album, scheduled for release early to mid 2008.

Visit The Wolfmen Official website here

To see the Wolfmen on MySpace click here

Finally, view the video for Cecilie right here!