The Dandy Re-Boot!

Well it's been an eventful few months for the British comic. Back in August we saw the launch of the 'mature reader' title CLiNT. In September it was announced that another comic aimed at the same audience - STRIP - was scheduled for release early next year (I'll no doubt blog that a little nearer the time). But what about the kids? There is still precious little for the people that comics were originally invented for.

The Dandy is Britain's longest running comic - first published in 1937 (actually it's not far away from being the world's longest running comic). It's had it's fair share of ups and downs over the last 70 odd years, but mostly 'downs' in recent years to be honest (and that's not just the readership). By far the worst change to this distinguished title was back in 2007, when in a desperate attempt to win new punters, the whole format of the comic was changed. Gone were almost all of the comic strips, and in were articles on computer games, pop bands, films, toys etc etc. The name was changed to Dandy Xtreme, and for the first time in the Dandy's history it stopped being a weekly comic.

Fortnight-by-fortnight, month-by-month, the word 'Dandy' got smaller and smaller on the cover, and the word 'Xtreme' got bigger and bigger. It was simply awful.

Despite keeping the issue number running, the publishers (DC Thompson) seemed hell bent on disowning the historic title, in favour of a funky new mag for kids. So paranoid were they of referring to the 'old' Dandy that they chose to ignore two major milestones - the 70th birthday in 2007, and the 3500th issue (earlier this year). But sales of Dandy Xtreme have been plummeting quicker than ever, and there have been many rumours than this grand old tradition was about to bite the dust (or at best, be merged with the Beano).

Then came the news earlier this month that all big kids like me wanted to hear - The Dandy was not heading for the scrap heap, it was to be relaunched as a proper kids comic once again. Yesterday the first issue came out - I say first, it was actually issue number 3508, but you get my drift! - and have to say it looks great!

Of course, there are a number of things that will no doubt annoy traditional comic fans - but just like my review of CLiNT, I think these deviations from the expected norm are a smart move. There are obviously not enough traditional British comic fans out there, otherwise it wouldn't be an (almost) extinct medium. So the 'all new' Dandy has gone for a bit of a TV\popular culture feel in an attempt to attract a new young readership (the cover alone boasts no less than 4 TV related strips). The big coup has to be the inclusion of a Harry Hill comic strip, which is written by Harry himself and the TV Burp team. Other strips poke fun at the X-Factor, Cheryl Cole, Simon Cowell (a whole page devoted to a 'young Simon' strip!), Top Gear, Deal or No Deal, eBay, iPods, Meerkats and Wayne Rooney. All adding to the familiarity that might just interest today's kids. Next weeks issue promises (amongst other things) laughs at the expense of TV chefs, Ant and Dec (and their mum Cheryl Cole!), Alan Sugar and Eastenders (CSI: Walford!).

In keeping with just about ever kids TV programme these days, there are plenty of stories with references to bodily functions to keep the wee ones sniggering (The Phantom Pharter, The Bogies, Count Snotula), and a few risque bits and bobs that may still shock nan (although I have to say that the inclusion of both 'Postman Prat' and the 'Shao Lin Punks' did make me smile!).

There are still a couple of old favourites, all be it in a very different style.... Desperate Dan and Korky the Cat are both original characters that started in the comic way back in 1937, so it's nice to see a little nod to the past.

(note the masthead on the new re-booted Dandy is much closer to that of the original 1937 style, rather than the one I remember from the 70's and 80's)

All in all, the new Dandy has got a great feel to it, and really reminded me of classic 70's title Krazy comic with it mad-cap and supposedly 'anarchic' feel. The best thing of all though was that it's wall-to-wall strips, every page, not a single advert inside which in this day and age is brilliant.

And if that's not enough to tempt the child inside you to buy a copy, how about the fact that it's come down in price?!! The hefty £2.50 price tag of Dandy Xtreme, now a much more palatable £1.50.... oh, and it's back to being a weekly title again too!

Hats off to DC Thompson for pulling out all the stops on this relaunch (and in the middle of a recession too). I really hope they pick up a large new readership. My excuse it that I'm buying them for my son to read when he's old enough, but I guess we'll have to see what happens when he really is old enough! (perhaps I'd better buy 2 copies?!)

The Cow Pies are on me!

Piley

KEEPING IT PEEL: Podrophenia 11 - Sound-a-Likeys

To mark 'Keeping It Peel' day today (can it really be 6 years since the great man died??), Mondo and I have knocked up another Podrophenia podcast. This month's theme is 'Sound-a-likeys', but there's a (very!) loose Peel connection or two thrown in there too.

If you're being charitable, Sound-a-likeys are songs that have been created by artist with a love of music; an encyclopedic knowledge of song; and as their own writing has matured, the many artist that influenced them over the years has subconsciously become part of the mix.... or.... if you're not feeling quite that generous, a Sound-a-likey may have been made by someone without an original thought in their brain, and blatantly rips off everyone they can. There are ten Sound-a-likey examples in amongst the usual ol waffle in the new podcast.... you make your own mind up as to which camp they come from!

You can listen to it here:


Or download it here:
Podrophenia Show 11

You can also pick it up on iTunes here:
Podrophenia on iTunes

Piley

Silvery Live in Southend, 8th October 2010

Maybe it was the fresh sea air, the chance to visit the longest pier in the world, or simply the lure of a plate of jellied eels... But just like all those 'trippers' back in the day, top popsters Silvery couldn't resist a little excursion from 'the smoke' to Southend this weekend.

Excellent support from two local rowdy rockers Tuppenny Bunters and Son Of Buff set the scene a treat. Silvery thundered through a selection of songs from their two albums, finishing off with their cover of 'You Give A Little Love' from the Bugsy Malone soundtrack.

The venues PA left much to be desired, but didn't seem to mar anyones enjoyment too much (although my ears were ringing for a good 24 hours afterwards!).

Piley

Cine Rio - Burnham

Still intrigued by the 80 year old cinema we stumbled on last week, I spent some time in the library yesterday going through a stack of Essex history books. I was drawing a blank for ages until I found a photo of Burnham High Street taken in the early 1930's. I was just about to turn the page when I did a double-take.... hold on, there on the left hand side, I recognise that building!

It would still have been The Princes cinema when this photo was taken.

My continued searching paid off, and I managed to find out a few more bits of information regarding the history of this building. Apparently it had another slight name change in 1937 when Francis Bertram took over the cinema, and renamed it The New Princes. CA & HA Sellers took over the auditorium in 1940, and in the late 60's Charles Crayford became the new owner, under the company name of Craydem Cinemas Ltd. It was Crayford who changed the name to The Rio, chosen to compliment the other cinema he owned - The Rio on Canvey Island. Andy Whyatt took the cinema over in 1979, and is possibly still in charge today. Meaning this cinema has remained as an independent for the whole 80 years!

I also found this picture, taken around the time that Andy Whyatt took charge:

Taken from almost the same spot as I took mine on Friday....

Piley

An Unexpected Step Back In Time

Well here's an unexpected little find... We braved the weather today for a drive out to the wonderfully sleepy town of Burnham (which sits on the north bank of the River Crouch in Essex).

This lovely little old fishing town has an instant time warp feel to it, and apart from a very 'out-of-place' looking Tesco (which looks as though it is a converted petrol station), the high street is pretty much completely made up of independent shops and restaurants. And it was whilst trudging through the wind and rain that this little oasis appeared...

A genuine independent cinema! It opened in 1931 as the Princes Cinema with seating for 475. In the late 60's it was renamed the Cine Rio, which it still remains today. In the late 70's it was given a refurb, and now has a main auditorium (seating 220) and a smaller second screen (seating 60).

Alas it's not open during the day on weekdays, so there was no chance of a little peek inside. However I was able to take a few shots through the window. I love everything about it...

I love that the walls are adorned with pictures from the Golden Age of Hollywood...

I love that there appears to be a table lamp, a statuette and some fresh flowers in the foyer...

and I love love LOVE the cup of salt next to the pop corn, so that you can 'salt your own'.

And you can keep your glossy A1 Odeon listings posters, I'd settle for a weekly handwritten list of 'whats on' any time. Brilliant.

This cinema oozed more character in the five minutes that I gazed at it (and it wasn't even open!), than my local Odeon has oozed since it was built in the 90's. Just looking at that old fashioned kiosk brought back so many memories of cinemas gone by.

I came home and excitedly hit the net, ready to learn all about the long and proud history of this old, purpose built cinema.... but no website (I'm not THAT surprised about that), no fan site, no articles, no mention on any Burnham on Crouch sites, in fact, no nothing! All I did find was this picture of the Cine Rio looking a lot brighter than it currently does, although worryingly, it was only taken a couple of years back, in 2008 (perhaps it was more to do with the difference in weather).

Cine Rio 2008

Cine Rio October 2010

I am determined to go back soon to catch a film there. It's a 45 mile round trip from Piley Towers, but I'd rather that than visit the Southend Odeon any day. I wonder if this 80 year old building could help cure my self imposed cinema ban??

Piley

A (Short) Book At Bedtime

I have written before that my recent eye problems have all but ruined my love of reading. Any more than a 30 minute session (sometimes less) now leads to painful eye strain and (even more) blurred vision, which can last for days. Reading a good novel is fairly useless now, as it just takes so long to do it that I've forgotten the early parts of the story before I reach the end! So these days I try to look out for collections of short stories, anecdotes etc etc (suggestions always welcome)... My trusty love of comics has also been a a great help - things that I can read for half an hour or so and perhaps not pick up again for a while without it mattering (although I do so miss getting involved in a nice, long complex novel).

I'm doing well at the moment, and have two books 'on the go'... The first is 'Awkward Situations For Men' by Danny Wallace. A great collection of tales of varying woe and embarrassment from Danny's life to date, like...

Inadvertently being rude about a friends baby... that perennial fear of not being able to 'go' when standing at a urinal. Upped several notches in Danny's story, due to another man arriving at the next urinal who also couldn't 'go'. Turning the whole thing into a game of chess as each man tried to work out the next move... calling a female shop assistant 'fella'... and the dread of every man, finding yourself walking behind a woman on her own, late at night (argghh!). It's a thoroughly entertaining read, and none of the stories are more than 4 or 5 pages long.

The other book is by someone I spent a good half of my life trying to avoid....

A few months back, I Should Be Working did a post about a radio documentary presented by long time nemesis Michael Portillo. In the post, she had to begrudgingly admit that 'Polly' had come over pretty well, and I think was in danger of admitting that he "seemed alright"! I can relate to this... If there is one smug, smarmy (and dare I say 'punchable') face from the 1980s, then for me it would have to be Gyles Brandreth. I loathed this man, his 'wacky' jumpers and his unhealthy obsession with teddy bears. I found him so oily and nauseating, that I would immediately have to change channels whenever his self-satisfied, grinning mush came on the screen (no remote control in those days either! I'd physically get up and turn the bugger off!). A 5 day a week stint on Countdown was particularly irksome, where in charge of 'dictionary corner' he appeared even more smug (if that was possible). In the 1990's he entered the world of politics, but annoyingly still turned up a little too regularly on TV for my liking.

Although I never thought about him, I'm guessing he must have fallen out of favour in the 2000's, as I don't recall seeing much of him in the last decade or so... only resurfacing in the last couple of years as an irregular regular on BBC's The One Show.... where against all odds I have found myself warm to the man. I almost always find his features interesting, and they are often on subjects that appeal (gems have included pieces on old British Comics, the Beano's 70th birthday, British cinema, historic London landmarks and architecture, early 1900 amusement arcade machines and a fascinating piece on how the town of Whitby deals with the continual Dracula link).

Far from being smarmy and smug, I now find his presenting quite fun and engaging, and it has intrigued me how he has managed to change so much... that was until Mrs P recently informed me that she STILL finds him as equally annoying today as she did back in the 80s! So perhaps it wasn't him who changed at all??!

Anyway, Gyles Brandreth has been an obsessive diary writer since the age of 11, and when I heard he was releasing a book containing the best bits of a 50 year period (1950 - 2000) I was keen to pick it up. It's a huge book, and at 700+ pages this will no doubt take me years to get through, but that doesn't bother me (well, maybe it does a bit!). I'm still wading through the school years at present, and whilst entertaining, I must admit I am secretly desperate for him to hurry up and get famous, so that I can get stuck in to some of the much promised anecdotes and juicy tittle-tattle from his celebrity encounters!

I haven't been able to resist a crafty flick through the latter pages, and have already stumbled on some real classics:-

• December 1980 whilst script writing with Frankie Howard... just a few seconds after locking the door and pocketing the key "we don't want intruders", Frankie was suddenly taken by a terrible, erm, 'groin attack'. He desperately struggled to reach for a jar of 'ointment', then dropped his trousers, and thrust his 'bits' and the aforementioned ointment into Brandreth's face saying "you know what to do... rub it in... treat it like a muscle". Funnily enough, Gyles didn't know what to do, and instead chose to wander over to the window to look outside! The 'attack' passed quickly after this, and Howard sheepishly pulled up his trousers, and continued working on the script as though nothing had happened! Interestingly, I spotted another entry almost 10 years later where Gyles has been talking to Max Bygraves, who tells him that Frankie tried the exact same trick on him too! "he's doing it all the time" says Max "and he always goes for married guys".

• In April 1994, Gyles and Glenda Jackson invited Sir John Gielgud to celebrate his 90th birthday over lunch at the House of Commons. Delighted that he had accepted, Gyles thanked Sir John for sharing such a special day with them. "oh I'm delighted to have been asked" came the reply "all my real friends are dead"!

• A beautiful glimpse of the wit of Noel Coward whilst watching Shakespeare's harrowing tragedy 'Titus Andronicus'. Vivien Leigh was staring as Lavinda, who in the play, has her hands and tongue cut off to stop her from revealing the name of her attackers. At one point Lavinda holds a stick between what remains of her arms, to try and scrawl the names of her assailants in the sand. Alas the grip was not quite right, and the stick slips and cartwheels across the stage... "tut tut, butter stumps" chuckled Coward.

But the childhood days are also enjoyable in their own way, and a little unsettling at times too.

• In February 1961, the old man who works in the boiler room at his school gives a 12 year old Gyles four hand written notebooks (400 pages in total). In each book the man had written out "wise and interesting things" (poems, history, geological tables etc etc). In his diary Brandreth comments "these four books are the boiler man's most treasured possessions. He has spent years writing them, and now he has given them to me". There is a lovely footnote at the bottom of the page from the 21st Century Gyles, to say that these books still remain on his writing table to this day.

As with all good published diaries, this book contains all the entries as they were originally written. No re-writes to incorporate a big dose of hindsight, no tweaks to make up for schoolboy silliness or bad grammar. In the early pages there are a number of initials and codewords, all used to ensure private information remained that way. Fortunately, footnotes have been added to the bottom of most of the pages to explain any confusing entries.... 'LCL' for example notes that Gyles has secretly tried to purchase a copy of Lady Chatterley's Lover!

• Gyles is only aged 11 when a letter 'X' starts to appear at the end of some of his daily entries in January 1960. A glance at the footnotes shows that this was actually code to note that one of his teachers (Mr Harkness) had kissed him. These X's continue to appear with alarming regularity, until May 1961, when the X is replaced by a 'T' ("Mr Harkness touched me"). Then in June 1961 there is an entry that reads "Mr Warren the games master asked me about Mr Harkness. He asked lots of questions. Lots. I said nothing". There is no further mention of Mr Harkness, but I hope he got his come uppance.

It's shaping up to be an interesting read, hopefully with many more showbiz gems to come... I might blog any more winners, but it may not be for a year or two! (sigh..)

Anyone else done a complete 180 degree turnaround with bands\celebs they used to loath?

VIDEOS (all from the One Show)

Gyles Brandreth on the closure of Walthamstow dog track:



Gyles Brandreth on Mechanical Memories Museum in Brighton (the UK's oldest established vintage penny arcade):



Gyles Brandreth on The Carry On films:

Piley

Jobs For The Boy

Have just watched actor Michael Sheen once again do a sterling impression of Tony Blair, in tonight's airing of 'The Special Relationship'....

It's unusual for an actor to portray so many 'celeb' characters. There was David Frost...

then there was Brian Clough...

Oh and don't forget his mesmerising Kenneth Williams...

And whilst he perhaps wouldn't be the first person that pops into your head when you think of these people, in every case he's managed to completely nail them.

So surely he's got to be keeping his fingers crossed that they make a film out of the BP Oil crisis... will they even bother looking anywhere else for someone to play (ex) CEO Tony Hayward??!

Tony Hayward

Tony Hayward

Not Tony Hayward

Piley

Podrophenia - Show 10... Before They Were Famous

Can it really be nearly 6 months since Mondo and I recorded our last installment of Podrophenia?? Well, your luck was never going to hold out forever, and we're back (finally) with number ten!

The theme for this outing is 'Before They Were Famous'. A selection of original recordings that have largely been forgotten... all overtaken by successful cover versions that people now assume are the originals. As well as hearing 10 tunes during the hour, there's the very latest from the Podrophenia news desk, and find out which celeb has been ripping us off!

Here's just some of the musicians involved in the next hour (either directly or indirectly), and in keeping with the theme of the show, I've including young pictures of them all... before they were famous! Can you guess them all?

You can listen to it here:



Or download it here:
Podrophenia Show 10

You can also pick it up on iTunes here:
Podrophenia 10 on iTunes

Piley

Happy Blogday!

I was chuffed when I reached a years blogging... I was obviously speechless when I made it to two years as I didn't blog it (well, actually I didn't realise until a few weeks after), but today is the third birthday of 'Start The Revolution Without Me'.

I wouldn't have put much money on me surviving 3 years, but have to say I'm still as enthusiastic as ever, and have genuinely enjoyed putting my old stuff and nonsense up on here. And as a bonus, I've met some great bloggin' buddies along the way too - quite literally this year, having attended a blog hook up in London at the beginning of the year.

When I started the blog I was adamant that it would be completely random, just writing about anything I fancied at that moment in time. But looking back over the three years, there are some very obvious themes running through the 186 posts to date... Music, Comics, Books, Films, Local History, Gigging, Becoming a Dad, Sightseeing and Bettie Page! And although I've always steered clear of making this a 'me, me, me' blog, I guess those themes are actually a fair representation of me as a person. Looking over these posts, it's actually a pretty good document of what's been going on in my life during that time, plotting events, days out, shows, holidays and general things I was obviously buzzin' on at that moment in time.... things that I may have even forgotten about had I not blogged it. Maybe one day my son might read through some of these posts, and perhaps it will give him an idea of what made his old man tick.

Thanks to everyone who bothers to read, and extra thanks to those who bother to comment, much appreciated...

Piley

I've Seen The Future... and it Kicked Ass!

Regulars will know by now that I'm a hopeless comic addict. I've posted before about the genuine worries that go through my head when a Hollywood film adaptation of a much loved comic book is announced. All that film companies are interested in is making money, and so what if they ruin a good character\story in the process?? The movie adaptation of Kick Ass involved a rare trip to the cinema for me when it came out earlier this year, I just couldn't wait to see what they had done with it. Tomorrow it comes out on DVD.

Kick Ass is an unusual movie adaptation, because the film was 'in the can' before the comic book had been completed! After just 2 issues, director and producer Matthew Vaughn (Lock, Stock and Two Smoking Barrels, Layer Cake) contacted writer Mark Millar to say he wanted to turn it into a film. By the time issue 4 came out, work had commenced on the film script. From then on Millar was splitting his time between completing the comic, and providing Vaughn with the future story lines. If you are familiar with the comic, then you can pretty much spot the exact point where the film overtook it. The film adaptation of the first few issues is so close to the original, but as the film continues, there are a number of fairly significant differences. This is not a criticism, I guess Millar was giving Vaughn the story as it was in his mind at that point, but by the time he was getting it down in comic form his thoughts had matured and changed somewhat. Thankfully the changes worked great in the film (bar one or two little personal niggles), and resulted in one of the best film romps I've seen in years.

I won't give away any of the twists and turns, but briefly this is the ultimate antidote to all those macho big budget superhero films of the last decade or so (Spiderman, Batman, Superman, Hulk etc etc). Dave Lizewski is a geeky schoolboy, obsessed with comic books. He can't understand why nobody has ever tried to be a superhero for real, so he decides to give it a go. But without any 'super powers', he is promptly put in hospital for a number of months (ahh, so that's why nobody has done it before!). Undeterred, he goes back out on the street, but soon discovers he is now not the only real life super hero on the block.

The original first series of Kick Ass (8 issue) are fabulous... un-put-downable in fact, and the film is the perfect companion. A real roller coaster from start to finish, full of self-knowing comedy and Tarantino style violence (occasionally both at the same time!). And this is another significant difference form your average comic book movie... Back in the dark days, comics really were just for kids. But in the 80's they grew up, thanks to the arrival of people like Alan Moore, and stories for adults started to emerge. Enter a (American import) comic shop today and the majority of titles will have a "for mature readers only" warning slapped on the cover. But with the movie adaptations, we have still been in the equivalent period of those pre-1980's comics. Sure there have been big grossing films of all the biggies, Spidey, Batman, Iron Man, Ghost Rider, Superman, X-men, Hulk etc, but essentially they have all been fairly 'kid-friendly'. The film studios are no fools, they know their target audience, and ensure the content of the films pick up the suitable rating.... until now!

You have to take your hat off to Matthew Vaughn. After just 2 issues of Kick Ass the comic he had the complete vision, and refused to let anyone change it or water it down. So much so that one by one, every single major film company turned him down... some even saying it was the worst idea they had ever seen. But he remained determined to get the film made, so in 2007 Vaughn turned to his friends, and got enough people to back his idea to enable him to self-finance the movie (£50 million!). And so the indie comic book became an indie film.... and with it came complete control. This is the exact film that Vaughn wanted to make, no concessions made for any squeamish corp-heads, he even had complete control of all the marketing and trailers.

When Vaughn screened some early footage at the 2009 San Diego Comic Con, he could not believe the reaction, the fans went completely crazy for it. As if by magic, as soon as the major film companies caught wind of it, they were all calling Vaughn to see if they could get involved after all. You can imagine the reply they got! Matthew Vaughn has produced what is essentially the first 'mature-viewer' superhero film, and I wouldn't be surprised if it starts a trend... just like Alan Moore's Watchmen comic did back in the 1980's.

Although the film is set in downtown New York, and has the look and feel of an 'all American' flick, there is actually more than a large slice of UK talent about Kick Ass:

• Of course Mark Millar wrote the original comic book, Jane Goldman and Matthew Vaughn wrote the film screenplay and Vaughn directed and produced it...
  
• Aaron Johnson plays the title roll, Mark Strong does a wonderful job as the arch-baddie, and there's some great support from the likes of Dexter Fletcher, Jason Flemyng, Tamer Hassan, Tim Plester, Craig Ferguson and more.
  
• A number of scenes were shot in the UK too.... London, Elstree, Pinewood, and what wasn't done here was mostly filmed in Canada!

Ignore the moaning minnies saying this film is corrupting our children.... This is an adult film, made for adults. Yes it's violent, and out of context the idea of Hit-Girl - a mass murdering ultra-violent crime fighting 13 year old girl (who swears like a trooper!) - does sound a little unconformable... (actually, count your blessings, she was only 10 in the book!). But within the boundaries of the film it works a treat (especially when hacking down the bad guys to the theme from the Banana Splits!), and the violence she inflicts is so over the top that you really can't take it seriously.... It's more 'Itchy and Scratchy' than Deathwish. In fact Hit-Girl steals the show, and the performance by Chloe Moretz is simply stunning. Add to this a great little turn out from Nicolas Cage (for once!), camping it up like there's no tomorrow as Hit Girl's somewhat deranged father.

Far from the 'meathead' no-brainer, the tabloids would have you believe, this is a gritty, intelligent, highly entertaining film, with much more to say than any other costumed caper.... and with great use of Sparks in the soundtrack too, what isn't there to like??!

Easily the best superhero film to date. Kick Ass is out on DVD and Blu-Ray tomorrow.

LINKS:

All 8 issues of the first series of Kick Ass the comic are now compiled as a graphic novel, and over at Amazon you can pick it up for the frankly crazy price of a fiver! (free postage too!)

The second series of the Kick Ass comic is being published exclusively in the new British comic CLiNT. Issue 1 out now!

Kick Ass - Movie Trailer:



Piley

CLiNT - The Saviour of British Comics?

I've touched on this before in a previous post, but way back in time, Britain had a great comic industry. In fact you can go back as far as the 1800's to the original 'penny dreadfuls' . The format may have been rather different back then, but the idea was much the same - a selection of original stories that continued week-on-week ('anthology' comics). In fact one of them, 'Boys Own' comic, ran from 1879 through to 1967.

In 1920 the popular 'Film Fun' comic was launched, giving readers a glimpse of how comics would soon look. But a huge turning point came in the 1930's when DC Thompson released two new titles:- The Beano and The Dandy. Their impact on the British comic scene was incredible, and even now, they are almost always the titles people will think of when you mention British comics. These two comics paved the way for more important titles to hit the shelves (e.g. The Hotspur, Radio Fun and Knockout).
The 1950's and 1960's must be the heyday of the British Comic - The Beezer, The Eagle, Battle, Whizzer and Chips, The Topper, Tiger, Victor, Valiant, TV Century 21, TV Comic, Bunty, Jackie, Buster, Wham, Pow!, Smash! and many more were all released during this time. I view the 1970's particularly fondly, as this was my era - but although there were plenty of titles to chose from every Saturday morning (Krazy, Cheeky Weekly, Plug, Whoopee!, Monster Fun, 2000AD, Shiver and Shake, Cor! Roy of the Rovers, plus a number of those comics from the previous decades still going strong), things were on the wane, and whilst there was plenty of quantity, the quality did not match that of the 50's and 60's.
Despite being around for many decades in some cases, nearly all of these titles died in the 80's (and those that didn't had gone by the early 90's), and by the end of the 90's only 2000AD, The Beano and The Dandy remained. And that's still the story today. There is no British comic industry any more. A few new titles have tried their luck over the years, but all have failed to reignite this great British tradition. Sure, you'll find racks worth of comics in your local WH Smiths, but apart from the three mentioned above, they are all TV Related titles. The top 10 selling comics in this country are currently (monthly sales figures included in brackets):

• The Simpsons (81,862)
• VIZ (76,408)
• Ben 10 (74,013)
• Simpsons Comics Presents (63,172)
• Doctor Who Adventures (53,559)
• In the Night Garden (60,060)
• The Beano (46,656)
• TOXIC (40,235)
• Doctor Who Magazine (35,374)
• BeanoMAX (29, 067)

So bar the Beano (which is terrible now by the way!), no original characters and stories, and certainly no original continuing stories to grip readers for months on end.

This week sees the release of a brand new 100 page monthly 'anthology' British comic - CLiNT.
This is the brainchild of Mark Millar - one of the UK's biggest and best comic writers (for the US market of course!)... The Authority, Nemesis, The Ultimates, and of course the now legendary Kick Ass all came from him.

The title is taken from a well known 'no-no' in the comic industry, you never call any characters this name, as once hand written and 'inked', it can look like a very different word indeed! So best just steer clear (see also 'FLICK'!). And that just about sets the scene, for what looks to be a rather racey, teenage to adult aimed title.

Mark has described CLiNT as The Eagle for the 21st Century, and has been very clever in how he has pulled it all together. He's seen other try and go to the wall, due to failing publicity, and the difficulty involved in getting new titles into WH Smiths (do you know you have to PAY WH Smith to stock your comic\magazine these days??! REALLY!). So Mark has called in the big guns...

• Titan Magazines to publish and distribute - one of THE biggest and most successful in the country (they also happen to own the comic shop chain Forbidden Planet, which is handy when you are starting up a new comic!)

• Jonathan Ross as a writer - Most people know that JR is a genuine comic nut. His collection is legendary, and his monthly comic pile at Forbidden Planet is over two foot high!! (Mondo's seen it!). But Ross completely 'gets' comics, and during his BBC sabbatical (for Manuel-gate) he sat down and wrote a peach of a comic - Turf (prohibition era gangsters, vampires and sci-fi). I've been buying the American release of this gritty, dialogue heavy title, and it's simply stunning. Turf is now being given it's UK premier in the pages of CLiNT. It's worth buying CLiNT for this strip alone. Never exactly a shrinking violet, you can bet your life that Ross will also provide much needed fanfare and promotion for this new title too.

• Frankie Boyle as a writer - An unknown quantity in the comic world, but certainly an edgy performer on the stand up comic world. His new strip - Rex Royd - is exclusive to CLiNT (Millar describes it as "imagine Lex Luthor, as seen by Frankie Boyle").

• Kick Ass (Volume 2) - Mark Millar is premiering the new Kick Ass story in CLiNT - A real scoop, as this is even ahead of the US market - Marvel don't publish issue one until well into October. The only thing is, how on earth is volume two going to compete with the first series - one of the greatest comics in recent years.

• Nemesis - A second Millar classic, getting it's debut printing in the UK.

There are more strips than this, but I think it would be fair to say that the above are very much the 'selling points'.

At first glance, I have to say I was a little disappointed at the cover... which with it's use of photos rather than artwork, just looks like one of a dozen or more magazines aimed at the same age group. A flick through CLiNT shows that it isn't strictly all comic strips either, with articles and interviews covering all the usual subjects (film, TV, comedy, games etc). It's bound to irk the traditional British comic lover, but then maybe Mark is being clever here too. There obviously aren't enough 'traditionalists' about to keep a new title afloat anymore, so he seems to be tapping into the 'lad-mag' market a little bit too.... but if it's the difference between this title surviving or failing, then it's a compromise I'm happy to take.

And lets just for one little moment imagine that it IS successful.... it could be the lighting of the blue touchpaper for a whole new generation of British Comics - all be it a million miles away from the Beano and the Dandy!

If you see CLiNT on your travels, give issue 1 a go, if only for the Jonathan Ross strip. Your country's comic industry needs you! And at £3.99 it's a bargain - There's a full USA issue of Turf and Nemesis within (25 odd pages of each), which on import would set you back £6 alone. Jonathan Ross and Mark Millar are launching CLiNT at WH Smiths in Victoria train station this Thursday (2nd Sept) at 4pm. You can find out more information over at the official CLiNT Website

And here's the trailer for Issue 1 (yes, even a comic gets a trailer these days!)

Piley